Dave Cicirelli: Does Selfie Culture Destroy Real Individualism?
The "interactive artist" inspired by Jack Kirby and Barry Goldwater challenges social media and intellectual conformity.
The "interactive artist" inspired by Jack Kirby and Barry Goldwater challenges social media and intellectual conformity.
Artist Dave Cicirelli challenges his audience to create meaning.
A new exhibit at the National Gallery of Art displays how the U.K. changed in the 1970s and '80s.
"My artwork is unapologetic," said the artist. "Sometimes it can be very political. Sometimes it can be very controversial."
Despite an apocalyptic media narrative, the modern era has brought much longer lives and the greatest decline in poverty ever.
The indie artists suing Stable Diffusion may not realize it, but they're doing the Mouse's dirty work.
"Hamline subjected López Prater to the foregoing adverse actions because . . . she did not conform her conduct to the specific beliefs of a Muslim sect," the lawsuit states.
"If Hamline won't listen to free speech advocates or faculty across the country, they'll have to listen to their accreditor," said FIRE attorney Alex Morey, who filed the complaint.
"It's stories and songs and films cut apart and written over, leaving no trace and no remnant of whatever used to be," writes novelist and cultural critic Kat Rosenfield.
The game is one of the greatest pieces of outsider art created in the 21st century, and it just got a lot easier to play.
A website designer asks SCOTUS to let her eschew work that contradicts her opposition to gay marriage.
Friday A/V Club: Sight and Sound revises the film canon again.
The legendary art director talks about the aesthetics of rebellion and his strange journey from Screw magazine to The New York Times.
The legendary art director on Greenwich Village in the '60s, the aesthetics of rebellion, and life at The New York Times.
"Committing vandalism by soup to send a message about climate change may be 'expressive,' but attempting to destroy someone else's work of art crosses moral and legal boundaries."
Rather than being replaced by A.I., humans should plan to work with it.
Friday A/V Club: One cable host's capacity for unearned smugness
A new history, Dirty Pictures, explores how underground comix revolutionized art and exploded censorship once and for all.
Brian Doherty's history of underground comix chronicles how Robert Crumb, Art Spiegelman, and others challenged censorship and increased free speech.
Government officials have declared an Oxford home's shark roof sculpture a protected landmark, against the wishes of the current owner of the house.
Disreputable and censored comix improbably brought the art form from the gutter to the museums.
The Polish-born artist is creating "heroic portraits" of machines and defending individualism and creative expression in Silicon Valley.
"Government restrictions came in, which literally shut us down," says Paul Smith, who co-owns Red Stag Tattoo in Austin, Texas.
An exhibit featuring 19th-century Jewish American artwork was axed after the university objected to two artists who supported the Confederacy.
The artist's Rocket Factory project, which lets users build and own their own virtual spacecraft, is changing how we think about reality.
The Rocket Factory NFT project stands at the intersection of crypto, the metaverse, and persistent human longing for the new frontier.
A virtual collection of 10 artworks made by Ulbricht at various stages of his life was worth $6.3 million at the time of sale.
Countless works of art are locked in museum basements. Why not put them back on the open market?
The applicability of Klaxon v. Stentor Electric Manufacturing -- no, wait! I promise it's important . . . .
The digital tokens, secured by the blockchain, could revolutionize art markets, reduce animal poaching, and provide a cool new way for NBA fans to flaunt their collectibles.
Once Upon a Time in Shaolin, formerly owned by Martin Shkreli, was auctioned off by the government and bought by the blockchain/art enthusiasts at PleasrDAO.
A twee, fussy, brilliant movie from a pathologically twee and fussy director.
Chloe Valdary's Theory of Enchantment program uses Kendrick Lamar, Cheryl Strayed, and The Lion King to ease workplace racial tensions.
Why postwar culture from Jack Kerouac to Andy Warhol to James Baldwin to Susan Sontag to Yoko Ono battled boundaries hemming them in.
Good intentions, bad results.
Plus: Fast approval of Alzheimer's drug draws scrutiny, the value of disagreement, and more...
What else is government-funded art but propaganda for the rulers?
Non-fungible tokens for art can seem a lot like Tulipmania. But distinct digital tokens have real use cases for things like online address management.
Reason was the anti-establishment brainchild of a brilliant but erratic 20-year-old student who lived with his mother and drove a delivery van for a living.
The pilot program intended to assist the city's arts community during the pandemic is drawing both interest and criticism from proponents of unconditional cash transfers.
Irate employees of the San Francisco Museum of Modern Art said the removal of Gary Garrels was "non-negotiable."
Kehinde Wiley's pre-presidential works criticized inequalities and hierarchies of power. His presidential portrait doesn't do the same.
The real motive for laws like this has nothing to do with scissors and glue. It's all about protectionism.
"It's a disservice to undergrads," said one student.